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ON STORYTELLING: Why Answering Everything Isn’t the Best Way to Go

28 May

Lost

I had a few readers ask me to do something very interesting recently. Well, perhaps not so interesting to you as it is to me, but the pleas I received definitely did lead to a line of thought which I wanted to go over briefly, and before I get to caught up in digression, let me give you a summary of the request I was given:

Can you answer my questions?

Sci-Fi Bloggers is of course the notable online magazine I am the Editor-in-Chief of and it is our goal to provide original content of our own to include with our (mostly) daily reports on current goings-on in the world of science fiction and fantasy. One form of this we adopted some time back is our Friday Fiction category. There we feature the work of several authors, the two most prominent and frequent being Brandon Scott and myself. We recently did a “Double Feature” special which included a tale I have been criticized for and praised for entitled “Jars”. The thing for which it was criticized by the way was the same thing it was lauded for: its confusing nature.

I was asked to add on to it, to continue it, to make certain it didn’t end on more than one occasion. More specifically, I was asked to “fill in the blanks.” For those who haven’t read it, it’s five pages, so it shouldn’t be too hard. Take a looking by clicking here.

Please read that before continuing. It is quite brief.

Now, here we have a case wherein I believe that I shouldn’t add anything more to this tale. I think the entire thing is perfectly encapsulated by the self-contained incident (or rather couple of incidents). Nothing more needs to be said. And I was asked about adding more and then someone had a proposition, and I smiled and asked to hear what the proposition was. He went on to delineate a storyline in which the woman and the monster chasing her were both servants of Hades, Lord of the Underworld. After learning of numerous atrocities committed by Hades, acts that harmed and ended the lives of millions of human beings in the world above, she joined the ranks of mortal men, committing espionage against her own kind. She was arrested for her crimes and, after breaking out of prison, tried to “lay low” and remain hidden from her newfound enemies.

In the intervening time between then and my story, she has children, mortal children. The creature, the beast that’s after her, is a bounty hunter, and in order to protect her offspring from the horrors of the Underworld, she kills them, for they are without sin and wouldn’t end up there as a result. The bounty hunter, through physical contact, manages to scramble her memory, and thus, “Jars”.

Now, let me make this point crystal clear: I didn’t write any of that. Or at least I didn’t originate the idea myself. Perhaps I reconfigured it in a form that was more consumable, but it was one of my readers who thought of it.

I told him right then that that very thing, what he just did, is why I didn’t answer all of the questions in a tale such as “Jars”, because the purpose of some stories, many of them in fact, is not to solve but inspire. If I had told him my concept of “Jars” and what think the monster is, he wouldn’t have thought of that brilliant storyline, he wouldn’t have created anything. And the funny thing is, the same thing happened to me just two weeks later.

Brandon Scott wrote a story called “Small Town Games”. You can read it here. I immediately thought a whole movie should be made around the concept. Perhaps I was right, but perhaps Brandon was in suggesting that the manner of his construction, his storytelling, led me to the creation of my own idea of what “the games” were. See, that’s an interesting thing.

The single most powerful thing a creation can do is cause further creation. If the actions of one man, woman, child, what have you, can cause another to do something else, that is real powerthat is influence.

I am suggesting that other writers look at this as a possibility. Instead of criticizing Lost for not answering all of your questions, maybe look at it the way you might a show like The Leftovers, where answers are no longer necessary, or like The Sopranos, where implications feeds us the answers, the truth. I know it sounds like I’m excusing authors and directors from solidifying their visions and ending their tales, but perhaps we could be a little more forgiving when they don’t hit that last note on the piano, because sometimes the precipice is all we need. Sometimes, we don’t have to dive into the water below. We can create our own pool, our own interpretation, our own art.

~D.

 

It’s That Time of the Menstrual Cycle Again…

28 Apr

IMG_2685

…and I feel like promoting TitleCapitalization.com.

Okay, sorry if you found the titles vulgar, but I can’t help myself sometimes. What can I do to make it up to you? Oh, I know! I ‘ll show you disturbing fiction written by not-me! Pretty sweet, huh? No? You don’t like reading about children dying of hunger and dehydration while playing video games? Well, here, read about grown adults dying of hunger and dehydration while playing video games. God, what a way to go, eh? We’re living in something of a retrograde society, degenerating and destroying ourselves at every turn. Maybe we should do something about that, inquisitive-grunting-sound?

Hammered that one in pretty good, didn’t I?

You know, some people don’t find me funny. Lol, jk. Everyone, finds, me, funny, especially commas. HARHARHARHARHARSPACEBAR! Okay, let’s get real. We all saw the trailer for The Leftovers, amirite? No? You didn’t? Here, check it out real quick.

Feeling any déjà vu? Good, that means you’re clicking the links. Don’t click that one. Ugh, you already did? Bad, that means you’re not following instructions. Click that one. Ugh, you didn’t do it yet? Good, that means you’re cautious. Hah, you thought I’d say “bad,” but you were WROOOOOOOOOOOOOOOOOOOOOOOOOOOOOONG. Also, feeling any déjà vu? Good, that means you’re reading the text.

Now that I have your attention, I’m going to gawk at the fact that my dad’s watching Veep. I NEVER thought I’d see that sh!t go down. Negat!ve-grunt!ng-sound, those fr!gg!n’ upside down !s are dr!v!ng me !nsane, so !nsane that I’m going to off!c!al!ze doing posts on the 28th of every month.

That probably j!nxed my post pattern, which has been pretty much accidental so far, but that’s okay. At least it fixed the Is, and made them bigger.

I

~D.

#disappearingbears

28 Jan

TFAGODB

*POOF*

You know what really grinds my gears? Bowling piranhas. People seem to be so obsessed with it nowadays. It’s disappointing, a great embarrassment, to say the least. Okay, okay, I’ll stop. Hey guys. I’m going to take a lesson from a good friend of mine and proceed as though I didn’t vanish for an extended period of time.

Now, you’re probably wondering why this piece has received such an infuriatingly relatable/unrelatable title. The reason for this is simple: the Nostalgia Critic has done a review of Wicker Man, and I laughed pretty hard when I watched it.

Click links, for they are your only friends. That’s right, we aren’t friends. WE’RE BROTHERS! And sisters, I guess, if any sisters are reading this.

Paragraphs are fun. So are segues. Bet you didn’t know how “segue” was spelled, did you? You probably thought it was spelled “Segway,” but that’s a company brand name and completely unrelated, just like the title of this post and the content within.

Okay, so for those who’ve made it this far, if you’re expecting some thesis one how the film/writing/gaming/news/political/military/corporate/slash/industry industry works in its entirety, you’re out of luck. You’re also out of your mind, because I would never write something so needlessly complex, so ridiculously comprehensive, and so ripe for tangential diversions that it would make Tristram Shandy look like Medal of Honor: Warfighter. Boy, two Bobby the Tongue references in one post and we still haven’t arrived at the point of this piece? Man, we are on a ROLL today!

Okay, so for those who’ve made it this far, if you’re expecting me not to repeat things for the sake of giving off powerful heat rays of extremely dry, unfunny humor, then prepare for the great reveal of all: “unfunny” is actually in Google’s dictionary. To blatantly steal the joke of another: “We did it, guys. We finally killed English.” By the way, I hate Reddit, and I love it, and I hate it again. I won’t explain why, that’ll be something for later.

Okay, so for those who’ve predicted that I’d start the next paragraph with the same phrase verbatim, HAH! Gotchya!

Okay, so for those who’ve made it this far, I think I can start talking about things that matter. Firstly, we aren’t alone. Oh, big concept, huh? Well, we aren’t. I’m sorry, but if you’re still debating the chances of whether or not there is life beyond our solar system just as intelligent as us, stop. I don’t mean to enforce this viewpoint on you. You may reject it, and that’s fine, but know this: when we finally make contact, I’m going to spray you with silly string for five to twenty minutes straight while repeatedly yelling, “I told you so,” and it will be sweet justice, oh yes, sweet, crispy, bacony justice.

And yes, our worst fears have been realized: “balcony” is in the dictionary as well. I wonder who fell for that and actually clicked it without taking note of the fact that I used the word “balcony” the second time, not “bacony.” An interesting test in psychological behavior, indeed.

Ah, but you want to know what proof I have that we are not alone in the universe. Well, why don’t you come on down to Florida and we’ll have a discussion about that.

Okay, so for those who think that was the point of this piece, you’re still wrong. I just did that to weed out anyone who isn’t into aliens. Why? Because aliens are freakin’ awesome. Now, if you’d like to know what the point of this piece and, and you think there is none, you’re still wrong. Why? Because you are, and you are also correct, and you are also a woman of science. What’s that? You aren’t a zebra? What’s that? You’re sick of me beating around the bush?

Well then,

let’s

get

down

to

monster trucks.

I’ve never been to a rally, not one. I’m actually not into that stuff. Well, maybe I’d be into it if I’d seen one. But I haven’t, so I’m not. Just a bunch of big, giant, wheels, hot wheels. Remember Hot Wheels? I remember seeing the loops the cars were able to drive through in the commercials and thinking, “Golly, gosh, can mine do that, too?” Nope. You cars suck Dylan. That’s why you have to buy these ones. GET THEM NOW! I bought them. They couldn’t loop either. Damn snake oil salesmen, always ruining my day.

Okay, so for those who haven’t heard, movies have been shit lately. Pardon my French, but The Legend of Hercules was shit, Paranormal Activity: The Marked Ones was shit, American Hustle was overrated, Man of Steel was terrigood, Star Trek Into Darkness had an AWFUL ending, and I only saw two of those films. Can you guess which ones? Has my credibility been entirely destroyed yet? If your answer was no,

ROT.

Rotting flesh, burning, peeling away from their bodies after the bombs fell. Why did we do it to them? Are we really so cold, so cruel? One could say we prevented the deaths of many in doing what we did, was it worth the price? We opened Pandora’s Box, unleashed a monster that can never be shut away again. Why did we do that? Is the old saying really true? Will our curiosity be our undoing? Will our thirst to understand all, including Death itself, be our final end, our eternal Armageddon?

What will become of this material world twenty years from now?

Eh, enough of that stuff. Let’s talk about how everything begins where it ends instead. You see, the truth is that everything in the material world will rot away at some point, even movies. They may suck now, but they’ll be gone one day, so GET THEM NOW! Yes, even the ones recorded one VHS. What’s that? They have commercials in them? Don’t fast forward. Watch them. Yes, even the Hot Wheels ones. You’ll thank me later, when you and your friend Gary have something to reminisce about as you watch monsters trucks do flips over whole rows of bushes and zebras. What’s that, woman of science? You’d like to know what the point of this piece and, and yet you also think there is none? You’re still wrong, just as you are about aliens, and Florida, and whether or not we’re alone in the universe. Go stand on your bacony and look up at the stars. You’ll see them, and then sweet, crispy balcony justice will be delivered in the form of me spraying you with silly string for five to twenty minutes straight while repeatedly yelling, “Gotchya!” HAH! I can’t wait!

Okay, so for those who’ve predicted that I’d start the next paragraph at some point, you’re right. What’s that? The last one should’ve ended a while ago? Where the fuck are you from, Reddit? I hate Reddit, and I love it, and I hate it again. And if Reddit is pissed off at me for killing English, Reddit can go look up “unfunny” in the dictionary and discover for itself why breaking that whole thing into multiple paragraphs would’ve given off far too many heat rays of extremely dry, unfunny humor.

Man, we are on a ROLL today! Bobby the Tongue would be proud at the way I’m making Tristram Shandy look like Medal of Honor: Warfighter.  I mean, with this many needlessly complex, ridiculously comprehensive tangential diversions, you must be going out of your mind right about now. What’s that? You’re telling me the title of this post and the content herein are still unrelated? Well, if you’re still expecting some thesis one how the film/writing/gaming/news/political/military/corporate/slash/industry industry works in its entirety at the end of all this, you might as well hop on a Segway and head on over to California. Segues are fun.

So are paragraphs. And sisters, I guess, if any sisters are reading this, WE’RE BROTHERS! That’s right, we aren’t friends. Click links, for they are your only friends.

Your reaction to all of this is priceless. I’m laughing pretty hard while I watch it, the way I did when I saw the Nostalgia Critic’s Wicker Man review. At this point, you’re probably desperate to know why this piece has received such an infuriatingly relatable/unrelatable title. Well, in response to that, I’m going to take a lesson from a good friend of mine and proceed as though you and I never met today.

Hey guys. Okay, okay, I’ll stop. Honestly, this is all probably really disappointing for you, and, in that regard, a great embarrassment for me, to say the least. Ugh, you’ll all likely obsess over this failure of mine for weeks, they way you did over bowling piranhas. Speaking of which…

…you know what really grinds my gears? When people don’t just get to the fucking—.

*POOF*

TFAGODB

~D.

Want Something Scary?

9 Jan

Shadows

Well, too bad. You get this instead.

~D.

Guys, Guys, Guys…

24 Dec

Holy

Guys, guys, guys, it’s Christmas Eve.

Go donate to a Kickstarter campaign or something, like Tell Me A Story…, that one looks promising. Or maybe, if you’re feeling holy, try the Philippine Typhoon relief projects on GoFundMe. Go help, trust me, it’ll make you feel better.

Merry Christmas Eve!

~D.

C

23 Oct

I am that I tiger.

Wow. It’s crazy how far we’ve come, isn’t it? I mean, take a look.

We started with that review of that one movie with the dolls. Then, I said something I’d like to take back, and got lazy, and didn’t post for some time. After that, I came back and told a story, turned into more of a weirdo than usual. Then there was this poorly edited version of something I wrote, followed by another poorly edited version of something I wrote that is now way different, even in terms of plot, time periods, character development, dialogue, etc. So much stuff!

Man, what else did we do? Ah, that’s right! We went on a journey together, and you heard my voice and it was awkward. I wrote a bad ending, and watched an adequate show so you didn’t have to. We followed a goat, examined terrorism, false advertised, discussed knowledge, stayed up late, talked about you, got pissed about abortion, started, got pissed about each other (or I guess it was just me being a bitch or whatever), got pissed about some superhero movie, analyzed characters. Hell, we even got you to want to follow me on Twitter less than you already did! Oh, and something about 9/11, and loving you.

I think the last thing we discussed was racism, and I’ve been away a while. Don’t worry, I’m not disappearing. I just wanted to make sure I did something special for our hundredth time together. I couldn’t come up with much, honestly. Just remembering the good times with the Legendary Heroes and whatnot.

Okay, I guess that’s everything. Here’s something to read before you go to bed, or when you wake up, or whenever. Oh, and here’s a list.

Goodnight/good morning/good evening/good space/you all need to play Beyond: Two Souls.

 

~D.

C

P.S. – I think I left out something, but I feel like I shouldn’t talk about it for some reason.

 

P.P.S. – Look at this tiger.

Building a Better Story: Characters

21 Aug

Poison and cheer!

Building a character and building a person are, relatively speaking, the same thing. Just go ahead and start designing the character, and then, at intervals throughout their creation, ask yourself, “Is this what a real person under these circumstances would do? Is this how they’d act? Would Iact this way in the same situation? Would anyone I know act this way? Is this the kind of character who would even have a ‘human’ reaction to these events?”

Doing the above gives us a sense of reality in relation to the character, regardless of whether they’re a man, a machine, an alien, or whatever. When we can observe the character realistically, no matter how strange they might be, they’ve been designed properly.

AN IMPORTANT NOTE: designing a character purely for interest is not interesting. We’re not interested characters because they’re interesting. We’re interested in characters because they themselves are interested in the world around them, thereby becoming “interesting.” We are interested in the interested.

Realistically Designed Characters: Han Solo, Andrew Detmer, Commissioner Gordon (BEFORE The Dark Knight Rises), Andrew “Ender” Wiggin, President Josiah Edward “Jed” Bartlet.

Characters Designed for Interest Alone: Jar Jar Binks, Mudflap and Skidds (from Transformers: Revenge of the Fallen), the Catalyst, Gurgi (until the later books that is).

In short, make people, not characters. And don’t force them to be interesting, because that’s not interesting.

~D.

The Word of the Day

19 Aug

Logs, just logs.

Complexity and nuances aren’t what make great stories, that’s depth’s job. And, as I’ve mentioned previously, depth can be simple, and it can also be natural.

Let’s examine these points individually in reverse, starting with that word “natural.” What does that mean? Well, in terms of stories and their telling, I’d say it means “anything originating without being engineered or contrived.” The natural parts of a story are the parts that come about as though they were entirely consequent of earlier events. Natural events appear real to the reader, and to the reader, the person, any person, things that are real tend to have depth, whether it’s made apparent right away or not. When things are natural, they’re real, and when they’re real they have depth, which is what readers love; not merely complexity, but depth, layers, levels.

Now, we also have this fascination writers have developed lately with creating “nuances” and “uniqueness” in their stories. This is becoming the new cliché, as such forced uniqueness and nuances lead to overly complex tales that nobody can keep up with. It’s fine for things to be original, and even unique, but these things again come from depth, which comes from how real the story is, which comes from how natural the story is. It all comes back to being natural, originating without being engineered or contrived.

And now we come up to complexity, which should never, in my opinion, be the goal of the writer. Intentionally making things complicated will always lead to contrivance. All of these things are connected and they, again, go back to how natural the story is.

So yeah, just keep everything natural and you’ll be fine. Have I used that word enough times for it to sink in?

 

~D.

No

6 Jul

[Insert esoteric metaphor here.]

Let’s not get into it. I don’t want to talk about it. No, stop. Really, guys, I don’t want to talk about it. It’s just something I need to handle myself, okay?

Hey, I asked you what you were doing first, so tell me. No, come on, tell me. What if I tell you what I’m doing afterwards. Still? All right, then I guess we’re keeping secrets from each other now, okay, makes sense, it happens.

Oh, COME ON! You’ve got to tell me what you’ve been UP TO! Writing? Baseball? Bowling? Why don’t we go bowling some time? Scared I’ll beat you? I’ll admit that I’m pretty good with duckpin, but I’ll need to practice more if I’m going to take you out at standard bowling.

No, I’m NOT telling you. Go eat breakfast. Maybe we’ll talk later tonight.

What, you think I’m being selfish? TO HELL WITH YOU! You’re damn right I’m being selfish, and I like it THAT WAY! You’d rather I gave you more? Well, tell me what you’ve been up to.

Okay, so you’re working out. That’s nice. That can’t be all though. How’s that friend of yours? They okay? Staying safe? No? Hospital? Ah, bummer. But I ain’t pitying you, no sir. I’m keeping my mouth shut until you tell me what’s really going on.

AHA! Finally, some @nswers! So, you’ve gotten tired of reading my stuff, eh? Oh, hush, you know you love it all. You’ve just forgotten how much you loved it because it’s the norm now, it’s not quite as “fresh” and “hip” and “tubular” as it once was. You need it to be “rockin'” and “sweet” and “clutch” and all those fancy things you use to call something “radical” nowadays.

Well, I’m not changing. If you don’t like it anymore, leave now and never come back.

 

 

 

 

What? You’re still here? What, this? Oh, it’s just a story I’m working on. Hey, listen, about what I said, I was just, you know, being, you know, dumb.

That thing you wanted to know, it was just me thinking about stopping, about not posting anymore. I was just thinking about is all, not saying I’d do that. I’m not stopping, you know that. I can’t stop. Well, I can, but I won’t.

I just sometimes feel like nobody’s there, you know? And I know you’re there, I check the statistics every day, and they look fine. I still get messages from you guys. But it still feels like you’re just here because you’re obliged to, because you’ve been here so long you feel like leaving would be rude or something. I’m okay with rude, I’m fine with rude.

You can leave any time you want. I’m not leaving. Someone will come by and replace you. It always happens. Everyone gets replaced. Except me. I’m not getting replaced. If God ever asks me whether I want to be replaced, you know what I’m going to tell him?

Actually, let’s not get into it. I don’t want to talk about it. No, stop. Really, guys, I don’t want to talk about it. It’s just something I need to handle myself, okay?

 

~D.

STEEEEERIKE!

My Top 12 Favorite “Game of Thrones” Moments

20 Jun

Forever, my father.

We all love it. We all hate it. We all want more. We all wish it would just end. We all got our friends to watch it, then reconsidered our decision to do so after the Red Wedding. We love it because it’s intelligent, because it’s real, but mostly because, unlike most stories told these days, it’s a game.

There are many players in the Game of Thrones. Once they enter the Game they have two options, as disclosed by Cersei Lannister early on: win or die. Opting out has been tried, but proven unsuccessful thus far. My advice? Don’t join unless you plan on being the victor.

Game of Thrones has been an exciting, powerful series thus far, filled with highs and lows, twists and turns, incredible battles and unforgettable characters. Today I’m going to talk to you about my favorite moments in the show hitherto. Note that I’m writing this prior to the release of Season 4. I may update it, I may not. For all we know the fourth chapter in the series could suck thanks to rising egos in the cast and crew (I’m not saying it will happen, I’m saying it could).

In case you’re in the middle of watching the show and are worried about spoilers, I’ve labeled each moment with their respective season and episode. That being said, let’s dive right in with…

Don't worry, you'll be possessing fucking wolves soon.

12. The Fall of Bran (Season One, Episode One)

If one could pinpoint the exact moment when Game of Thrones announced itself as “the show where anything can happen,” it would have to be Bran’s fall at the end of the first episode. I remember seeing him break his promise to Catelyn and thinking, “Good boy,” not at all aware of the potential negative ramifications of him doing so. Suddenly, as he drew closer to the tower I thought, “Wait, the music changed. Something important’s about to happen.” And then there they were: Jamie and Cersei  Lannister getting busy. I wasn’t all that shocked that there was incest going on, nor that it was incest between those two. However, I was shocked when Jamie grabbed Bran by the collar and uttered, “The things I do for love,” before tossing him the ground far below.

In most stories, especially in the case of TV shows, children are left undamaged. It’s sort of an unspoken rule regarding television, cinema, etc. Game of Thrones doesn’t play by conventional rules, it has its own.

"What is dead may never die."

11. The Dreadfort Assembly (Season Three, Episode Ten)

Let’s face it, as pissed as we all were at Theon for betraying Robb, cutting off his “favorite toy” was a bit much. I was among his many sympathizers during his time with Ramsay Snow, and even now I hope he’ll be okay in the end. My hope was strengthened after the most recent episode in the series, wherein his prized possession was sent to Balon Greyjoy, his father, as a threat.

Balon was asked to give up the lands he’d invaded recently in exchange for his son’s safety. He refused, calling the boy a disobedient “fool” who should’ve followed orders. Theon’s sister, Yara (called Asha in the books), doesn’t give a damn whether Theon made a mistake or not.

“I’m going to pick the fastest ship in our fleet,” she began. “I’m going to choose the fifty best killers on the Iron Islands. I’m going to sail up the Narrow Sea all the way to the Weeping Water. I’m going to march on the Dreadfort. I’m going to find my little brother…

…and I’m going to bring him home.”

"That was all I wanted."

10. A Golden Crown (Season One, Episode Six)

To me, this is the moment where Daenerys became a badass. Throughout the entire first season, up until this point at least, Viserys had been a real dick to his sister, and I mean a REAL dick. He’d beaten her, threatened to have the entire Dothraki Horde and their horses have sex with her, by force if necessary, and done all sorts of things that just left me thinking, “When does he die?” Seeing sweet justice exacted was more than appreciated, especially in such a gruesome form.

But the pouring of gold wasn’t what made this moment terrific. It was Daenerys saying, “He was no dragon. Fire cannot kill a dragon.” And then I understood how important she actually was, for she was the dragon Viserys claimed to be.

I miss him.

9. The King in the North (Season One, Episode Ten)

After a very significant event occurred (further on down the list), the Northerners were left without a Warden. And so, because of this, a new nation was formed, with a new king chosen by its people: Robb Stark. Robb is probably one of the top five best characters in the entire series, and his “badassery” skyrocketed after his new title was granted.

"Valar morghulis."

8. Everything with Jaqen H’ghar (Seasons One and Two)

I know this is kind of cheating, but, pardon my French, I really just don’t give a fuck. Jaqen H’ghar is a baller the like of which has not been equaled in the series thus far (I’m sorry, I think he’s cooler than Daenerys). His stealth and precision are unrivaled and his ability to change faces the way he does is literally perfect. I hope Arya trains under him next season. And by the way, nobody send me anything about it, but I think Jaqen and Syrio Forel are the same person, for various reasons which I’ll talk about another time.

Valar morghulis.

Spiders and Ladders

7. Everything with Varys and Baelish (Seasons One, Two and Three)

Okay, okay, this is the last time I’m cheating. But honestly, it’s so hard to choose the best of these back-and-forths between the two. The Spider and Little Finger always have the best discussions regarding the condition of Westeros. If I had to choose one that stood out, I might pick the “Chaos is a Ladder” speech that Baelish gives Varys. In every other discussion, they are equal to one another. In that one in particular, Baelish actually outwits Varys, a character I personally believed to be invulnerable.

All in all, these two always steal whatever scene they’re in, unless Tyrion’s in it. Speaking of which…

What is dead may never die.

6. Ned (Season One, Episode Nine)

I don’t think I have to say much. To some, he was a fool. To others, he was the last honorable man in Westeros. To me, he was both. He didn’t play the Game properly, but he was a good man nonetheless, a strong man, a courageous man. Too trusting though. He didn’t walk softly enough. He didn’t control his pieces the way Daenerys and Tywin did. He played it the way a soldier would, and, unfortunately, soldiers don’t win the Game.

Long live Ned Stark, the true King in the North.

"Halfman!"

5. Halfman (Season Two, Episode Nine)

Although he isn’t my favorite character (and I know he’s everyone else’s), Tyrion has had some of the most epic moments in the series, the Battle of Blackwater being full of them. One of his best scenes involves a speech wherein he tells his soldiers very simply and bluntly, “Those are brave men knocking at our door. Let’s go kill them.” Soon after, chants of his alias, “Halfman,” resound through King’s Landing, immortalizing Tyrion as a legend of Westeros.

500,000

4. Jamie’s Redemption (Season Three, Episode Five)

Okay, now I know most people still hate Jamie, but there are those out there who, like me, have forgiven him for his acts of evil in the past. After hearing what he did for the people of King’s Landing, how he saved five hundred thousand people from being burned alive, I was absolutely blown away, realizing that everything Jamie ever does, no matter how ruthless it may seem, is done because he truly believes it’s for the best.

It’s not just the story itself that makes this moment so incredible. Nikolaj Coster-Waldau should win an Emmy just for this scene on its own. He tells Jamie’s tale so beautifully and brings it to life in such a powerful way that I, a former die-hard Jamie HATER, was able to sympathize for the man I believed to be one of the main villains of the piece. Congratulations, sir.

Sorry Bran, but I have to give credit where credit is due. The Kingslayer is now a hero in my book.

Fucking dragons.

3. Birth of the Dragons (Season One, Episode Ten)

After Ned’s death I was certain there was nothing bigger they could throw at me this season. And then I remembered those eggs, and how our girl here can’t be burned, and although it didn’t surprise me all that much, the birth of the dragons was one of the most impressive bits in the series. It’s the first real appearance of magic in Game of Thrones, and it gave me hope that things would get better from here on out, that the bad guys were toast and that, soon enough, all would be well in George R.R. Martin’s world.

And then, of course, Robb Stark had to go and break his oath…

Fuck the Freys

2. The Red Wedding (You Know the One)

Okay, if you seriously don’t know what this is, stop reading, because you’re about to read what I think may be the biggest plot twist in a television series, EVER. On the night of a beautiful wedding merging the Tully and Frey houses, Lord Walder Frey executes what might be the most sickening, dastardly, gruesome, villainous betrayal ever put on a screen. I know that sounds like an overstatement, but if you’ve seen it, and you watched every episode prior and grew attached to—nay, to love the characters involved, then you probably agree. The Red Wedding is messed up beyond belief, with the loss of Robb, his wife, their unborn child, and Catelyn all in less than ten minutes.

But, as horrible as it was, you have to admit…

I BET she's going to die.

1. The Unsullied Liberation and Mhysa (Season Three, Episodes Four and Ten)

Yeah, remember what I said before? Well, I never said “I promise,” so I’m not worried about my choice here. I simply couldn’t decide between these two because, in a sea of depressing moments, these two are some of the more inspiring scenes in Game of Thrones.

The first is the liberation of the Unsullied, which me and my brother TOTALLY CALLED the week before (I take credit for calling it first). Daenerys makes what appears to be a stupid trade in order to acquire an army for the taking of Westeros. What ends up happening is a badass coup wherein all of Astapor’s slave master’s are killed and the army of Unsullied soldiers is liberated. When given the option to live as they choose, they all decide to serve the Stormborn Queen, and a great bit of symbolism occurs when she drops the whip that once controlled them and they march over it, their chains shattered.

The second is the ending of the recent season finale, which I honestly think is a beautiful thing. Hope is what I wanted out of the last episode, and hope is what I got. Even though I personally think Daenerys is going to die this coming season, she still makes me think that, even now, this story might have a happy ending.

One of the other great things about the Mhysa scene is how perfectly it symbolizes everything about the show. We have a hero who, because of the potential dangers of the world, is forced to surround herself with shields and pikes. Even when the friendly slaves arrive, there’s this tension about whether they can be trusted, whether anyone can be trusted. The look on Jorah’s face is what I’m talking about. He knows that even the kindest of fellows might stab someone like Daenerys right in the back. But Daenerys isn’t willing to let that sort of thought process go on. She knows that in order the end the clash between fear and love, she must take a leap of faith. And so, when she walks into the crowd, knowing fully well she might be beaten to death right then and there, she is testing whether all men are evil, whether all men must die. And, in the end, she proves that all men aren’t evil, and that there is still good to be found in the world.

That’s why I love Game of Thrones. That’s why you love Game of Thrones. That’s why we love Game of Thrones. Because it isn’t just about betrayal and blood and horror and death and hopelessness. It’s also about righteousness, truth, heroism, love, and freedom. And it will have a happy ending, one way or another.

"Build it and they will come."

And to those still mourning the Starks, just remember…

…what is dead may never die.

~D.