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Building a Better Story: Names

26 Aug

You and I, together.

Sometimes I advise, sometimes I don’t. This was one of the times I did.

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Question: How important is the name of a character?

Answer: It doesn’t matter and it DOES matter.

It doesn’t matter because, frankly, there are plenty of stories where names that mean complete gibberish are used for lead characters, and they work fine. I’m sure you can think of many examples, especially in the fantasy department.

On the other hand, it DOES matter because if you have 100,000 people read your book, and only 50 to 100 notice, “Oh my God, his name means _______! HOLY CHRIST-MUFFINS! THIS GUY’S A GENIUS! Brah, brah, brha…” then it was worth it. Especially if you run into one of those “elite” fans later on in your career and they’re like, “Hey, hey….I noticed it.” You guys will high-five the $#!* out of each other’s hands at that point.

So, I guess it depends on whether you want your hands to be hurting a lot.

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~D.

Moonlight

22 Aug

Just watch and listen.

That’s all. Just go on Google, right now. Go there, and click the “play” button, and just watch and listen to art.

 

~D.

Building a Better Story: Characters

21 Aug

Poison and cheer!

Building a character and building a person are, relatively speaking, the same thing. Just go ahead and start designing the character, and then, at intervals throughout their creation, ask yourself, “Is this what a real person under these circumstances would do? Is this how they’d act? Would Iact this way in the same situation? Would anyone I know act this way? Is this the kind of character who would even have a ‘human’ reaction to these events?”

Doing the above gives us a sense of reality in relation to the character, regardless of whether they’re a man, a machine, an alien, or whatever. When we can observe the character realistically, no matter how strange they might be, they’ve been designed properly.

AN IMPORTANT NOTE: designing a character purely for interest is not interesting. We’re not interested characters because they’re interesting. We’re interested in characters because they themselves are interested in the world around them, thereby becoming “interesting.” We are interested in the interested.

Realistically Designed Characters: Han Solo, Andrew Detmer, Commissioner Gordon (BEFORE The Dark Knight Rises), Andrew “Ender” Wiggin, President Josiah Edward “Jed” Bartlet.

Characters Designed for Interest Alone: Jar Jar Binks, Mudflap and Skidds (from Transformers: Revenge of the Fallen), the Catalyst, Gurgi (until the later books that is).

In short, make people, not characters. And don’t force them to be interesting, because that’s not interesting.

~D.

The Word of the Day

19 Aug

Logs, just logs.

Complexity and nuances aren’t what make great stories, that’s depth’s job. And, as I’ve mentioned previously, depth can be simple, and it can also be natural.

Let’s examine these points individually in reverse, starting with that word “natural.” What does that mean? Well, in terms of stories and their telling, I’d say it means “anything originating without being engineered or contrived.” The natural parts of a story are the parts that come about as though they were entirely consequent of earlier events. Natural events appear real to the reader, and to the reader, the person, any person, things that are real tend to have depth, whether it’s made apparent right away or not. When things are natural, they’re real, and when they’re real they have depth, which is what readers love; not merely complexity, but depth, layers, levels.

Now, we also have this fascination writers have developed lately with creating “nuances” and “uniqueness” in their stories. This is becoming the new cliché, as such forced uniqueness and nuances lead to overly complex tales that nobody can keep up with. It’s fine for things to be original, and even unique, but these things again come from depth, which comes from how real the story is, which comes from how natural the story is. It all comes back to being natural, originating without being engineered or contrived.

And now we come up to complexity, which should never, in my opinion, be the goal of the writer. Intentionally making things complicated will always lead to contrivance. All of these things are connected and they, again, go back to how natural the story is.

So yeah, just keep everything natural and you’ll be fine. Have I used that word enough times for it to sink in?

 

~D.

Hoot

12 Aug

You raise me up.

Follow me on Twitter

@Architect_9

so that you can learn more about nothing. Hah! You thought I had something to write. You thought I had some amazing story, but no, just a Twitter piece. Mph! Yeah, like it, yeah.

Okay, I’ll give you something: American Hustle looks stupid. Boy did that one come out of left field. Yeah, honestly, this thing looks like a bunch of artsy circle shots and hard cuts to sexual content, followed by every excuse to get two Oscar winning/nominated actresses naked, followed by, “How do we get ‘America’ in the title?” It feels like Cosmopolis with more stars from the looks of it. Oh, and no giant rats.

All right, I’ll tweet more often, or something.

 

~D.

Unique Characters: A Necessity?

11 Aug

Depth

I gave a fellow on Reddit some advice:

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Question: How unique do characters actually need to be?

Answer: There is no degree to which a character MUST be “unique.” Uniqueness isn’t necessarily the problem one faces when creating and developing a character, rather depth. See, when a character has multiple levels, it gives us, the reader, a little game to play: Dig to the Bottom of the Character (or DBC, as most people call it). We want a mystery to solve, a puzzle to reconfigure, a game to win. We want to be involved with who we’re reading about.

Now, that doesn’t mean we should make every character as confusing as possible. Levels can be SIMPLE. Luke Skywalker isn’t just the farm boy who became an intergalactic hero. He’s also a son who’s been lied to by his mentor, betrayed before birth by his father, kept in the dark about his sister, and torn between light and dark paths his whole life. Honestly, Luke has more depth than people give him credit for, but he isn’t COMPLICATED. See the difference?

Uniqueness isn’t something that can be forced. It naturally arises from a character’s depth.

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So yeah, try that out some time.

 

~D.

No

6 Jul

[Insert esoteric metaphor here.]

Let’s not get into it. I don’t want to talk about it. No, stop. Really, guys, I don’t want to talk about it. It’s just something I need to handle myself, okay?

Hey, I asked you what you were doing first, so tell me. No, come on, tell me. What if I tell you what I’m doing afterwards. Still? All right, then I guess we’re keeping secrets from each other now, okay, makes sense, it happens.

Oh, COME ON! You’ve got to tell me what you’ve been UP TO! Writing? Baseball? Bowling? Why don’t we go bowling some time? Scared I’ll beat you? I’ll admit that I’m pretty good with duckpin, but I’ll need to practice more if I’m going to take you out at standard bowling.

No, I’m NOT telling you. Go eat breakfast. Maybe we’ll talk later tonight.

What, you think I’m being selfish? TO HELL WITH YOU! You’re damn right I’m being selfish, and I like it THAT WAY! You’d rather I gave you more? Well, tell me what you’ve been up to.

Okay, so you’re working out. That’s nice. That can’t be all though. How’s that friend of yours? They okay? Staying safe? No? Hospital? Ah, bummer. But I ain’t pitying you, no sir. I’m keeping my mouth shut until you tell me what’s really going on.

AHA! Finally, some @nswers! So, you’ve gotten tired of reading my stuff, eh? Oh, hush, you know you love it all. You’ve just forgotten how much you loved it because it’s the norm now, it’s not quite as “fresh” and “hip” and “tubular” as it once was. You need it to be “rockin'” and “sweet” and “clutch” and all those fancy things you use to call something “radical” nowadays.

Well, I’m not changing. If you don’t like it anymore, leave now and never come back.

 

 

 

 

What? You’re still here? What, this? Oh, it’s just a story I’m working on. Hey, listen, about what I said, I was just, you know, being, you know, dumb.

That thing you wanted to know, it was just me thinking about stopping, about not posting anymore. I was just thinking about is all, not saying I’d do that. I’m not stopping, you know that. I can’t stop. Well, I can, but I won’t.

I just sometimes feel like nobody’s there, you know? And I know you’re there, I check the statistics every day, and they look fine. I still get messages from you guys. But it still feels like you’re just here because you’re obliged to, because you’ve been here so long you feel like leaving would be rude or something. I’m okay with rude, I’m fine with rude.

You can leave any time you want. I’m not leaving. Someone will come by and replace you. It always happens. Everyone gets replaced. Except me. I’m not getting replaced. If God ever asks me whether I want to be replaced, you know what I’m going to tell him?

Actually, let’s not get into it. I don’t want to talk about it. No, stop. Really, guys, I don’t want to talk about it. It’s just something I need to handle myself, okay?

 

~D.

STEEEEERIKE!

Initium

26 Jun

Leo.

It means “start.”

A few years ago I published a novel called Beginning, a multi-perspective account of a war between two powerful nations in Earth’s far future. The novel is about to be re-released and, in celebration of that, I am now going to show you the first three chapters of it. It may seem weird and a little hard to understand at first, but you’ll get it. You’re smart. You have to be smart if you read this blog. It’s always been that way.

You’re smart, that’s why you knew what initium meant before I even told you. What was that again? Oh, that’s right…

…”start.”

 

Here be the chapters three.

 

~D.

My Top 12 Favorite “Game of Thrones” Moments

20 Jun

Forever, my father.

We all love it. We all hate it. We all want more. We all wish it would just end. We all got our friends to watch it, then reconsidered our decision to do so after the Red Wedding. We love it because it’s intelligent, because it’s real, but mostly because, unlike most stories told these days, it’s a game.

There are many players in the Game of Thrones. Once they enter the Game they have two options, as disclosed by Cersei Lannister early on: win or die. Opting out has been tried, but proven unsuccessful thus far. My advice? Don’t join unless you plan on being the victor.

Game of Thrones has been an exciting, powerful series thus far, filled with highs and lows, twists and turns, incredible battles and unforgettable characters. Today I’m going to talk to you about my favorite moments in the show hitherto. Note that I’m writing this prior to the release of Season 4. I may update it, I may not. For all we know the fourth chapter in the series could suck thanks to rising egos in the cast and crew (I’m not saying it will happen, I’m saying it could).

In case you’re in the middle of watching the show and are worried about spoilers, I’ve labeled each moment with their respective season and episode. That being said, let’s dive right in with…

Don't worry, you'll be possessing fucking wolves soon.

12. The Fall of Bran (Season One, Episode One)

If one could pinpoint the exact moment when Game of Thrones announced itself as “the show where anything can happen,” it would have to be Bran’s fall at the end of the first episode. I remember seeing him break his promise to Catelyn and thinking, “Good boy,” not at all aware of the potential negative ramifications of him doing so. Suddenly, as he drew closer to the tower I thought, “Wait, the music changed. Something important’s about to happen.” And then there they were: Jamie and Cersei  Lannister getting busy. I wasn’t all that shocked that there was incest going on, nor that it was incest between those two. However, I was shocked when Jamie grabbed Bran by the collar and uttered, “The things I do for love,” before tossing him the ground far below.

In most stories, especially in the case of TV shows, children are left undamaged. It’s sort of an unspoken rule regarding television, cinema, etc. Game of Thrones doesn’t play by conventional rules, it has its own.

"What is dead may never die."

11. The Dreadfort Assembly (Season Three, Episode Ten)

Let’s face it, as pissed as we all were at Theon for betraying Robb, cutting off his “favorite toy” was a bit much. I was among his many sympathizers during his time with Ramsay Snow, and even now I hope he’ll be okay in the end. My hope was strengthened after the most recent episode in the series, wherein his prized possession was sent to Balon Greyjoy, his father, as a threat.

Balon was asked to give up the lands he’d invaded recently in exchange for his son’s safety. He refused, calling the boy a disobedient “fool” who should’ve followed orders. Theon’s sister, Yara (called Asha in the books), doesn’t give a damn whether Theon made a mistake or not.

“I’m going to pick the fastest ship in our fleet,” she began. “I’m going to choose the fifty best killers on the Iron Islands. I’m going to sail up the Narrow Sea all the way to the Weeping Water. I’m going to march on the Dreadfort. I’m going to find my little brother…

…and I’m going to bring him home.”

"That was all I wanted."

10. A Golden Crown (Season One, Episode Six)

To me, this is the moment where Daenerys became a badass. Throughout the entire first season, up until this point at least, Viserys had been a real dick to his sister, and I mean a REAL dick. He’d beaten her, threatened to have the entire Dothraki Horde and their horses have sex with her, by force if necessary, and done all sorts of things that just left me thinking, “When does he die?” Seeing sweet justice exacted was more than appreciated, especially in such a gruesome form.

But the pouring of gold wasn’t what made this moment terrific. It was Daenerys saying, “He was no dragon. Fire cannot kill a dragon.” And then I understood how important she actually was, for she was the dragon Viserys claimed to be.

I miss him.

9. The King in the North (Season One, Episode Ten)

After a very significant event occurred (further on down the list), the Northerners were left without a Warden. And so, because of this, a new nation was formed, with a new king chosen by its people: Robb Stark. Robb is probably one of the top five best characters in the entire series, and his “badassery” skyrocketed after his new title was granted.

"Valar morghulis."

8. Everything with Jaqen H’ghar (Seasons One and Two)

I know this is kind of cheating, but, pardon my French, I really just don’t give a fuck. Jaqen H’ghar is a baller the like of which has not been equaled in the series thus far (I’m sorry, I think he’s cooler than Daenerys). His stealth and precision are unrivaled and his ability to change faces the way he does is literally perfect. I hope Arya trains under him next season. And by the way, nobody send me anything about it, but I think Jaqen and Syrio Forel are the same person, for various reasons which I’ll talk about another time.

Valar morghulis.

Spiders and Ladders

7. Everything with Varys and Baelish (Seasons One, Two and Three)

Okay, okay, this is the last time I’m cheating. But honestly, it’s so hard to choose the best of these back-and-forths between the two. The Spider and Little Finger always have the best discussions regarding the condition of Westeros. If I had to choose one that stood out, I might pick the “Chaos is a Ladder” speech that Baelish gives Varys. In every other discussion, they are equal to one another. In that one in particular, Baelish actually outwits Varys, a character I personally believed to be invulnerable.

All in all, these two always steal whatever scene they’re in, unless Tyrion’s in it. Speaking of which…

What is dead may never die.

6. Ned (Season One, Episode Nine)

I don’t think I have to say much. To some, he was a fool. To others, he was the last honorable man in Westeros. To me, he was both. He didn’t play the Game properly, but he was a good man nonetheless, a strong man, a courageous man. Too trusting though. He didn’t walk softly enough. He didn’t control his pieces the way Daenerys and Tywin did. He played it the way a soldier would, and, unfortunately, soldiers don’t win the Game.

Long live Ned Stark, the true King in the North.

"Halfman!"

5. Halfman (Season Two, Episode Nine)

Although he isn’t my favorite character (and I know he’s everyone else’s), Tyrion has had some of the most epic moments in the series, the Battle of Blackwater being full of them. One of his best scenes involves a speech wherein he tells his soldiers very simply and bluntly, “Those are brave men knocking at our door. Let’s go kill them.” Soon after, chants of his alias, “Halfman,” resound through King’s Landing, immortalizing Tyrion as a legend of Westeros.

500,000

4. Jamie’s Redemption (Season Three, Episode Five)

Okay, now I know most people still hate Jamie, but there are those out there who, like me, have forgiven him for his acts of evil in the past. After hearing what he did for the people of King’s Landing, how he saved five hundred thousand people from being burned alive, I was absolutely blown away, realizing that everything Jamie ever does, no matter how ruthless it may seem, is done because he truly believes it’s for the best.

It’s not just the story itself that makes this moment so incredible. Nikolaj Coster-Waldau should win an Emmy just for this scene on its own. He tells Jamie’s tale so beautifully and brings it to life in such a powerful way that I, a former die-hard Jamie HATER, was able to sympathize for the man I believed to be one of the main villains of the piece. Congratulations, sir.

Sorry Bran, but I have to give credit where credit is due. The Kingslayer is now a hero in my book.

Fucking dragons.

3. Birth of the Dragons (Season One, Episode Ten)

After Ned’s death I was certain there was nothing bigger they could throw at me this season. And then I remembered those eggs, and how our girl here can’t be burned, and although it didn’t surprise me all that much, the birth of the dragons was one of the most impressive bits in the series. It’s the first real appearance of magic in Game of Thrones, and it gave me hope that things would get better from here on out, that the bad guys were toast and that, soon enough, all would be well in George R.R. Martin’s world.

And then, of course, Robb Stark had to go and break his oath…

Fuck the Freys

2. The Red Wedding (You Know the One)

Okay, if you seriously don’t know what this is, stop reading, because you’re about to read what I think may be the biggest plot twist in a television series, EVER. On the night of a beautiful wedding merging the Tully and Frey houses, Lord Walder Frey executes what might be the most sickening, dastardly, gruesome, villainous betrayal ever put on a screen. I know that sounds like an overstatement, but if you’ve seen it, and you watched every episode prior and grew attached to—nay, to love the characters involved, then you probably agree. The Red Wedding is messed up beyond belief, with the loss of Robb, his wife, their unborn child, and Catelyn all in less than ten minutes.

But, as horrible as it was, you have to admit…

I BET she's going to die.

1. The Unsullied Liberation and Mhysa (Season Three, Episodes Four and Ten)

Yeah, remember what I said before? Well, I never said “I promise,” so I’m not worried about my choice here. I simply couldn’t decide between these two because, in a sea of depressing moments, these two are some of the more inspiring scenes in Game of Thrones.

The first is the liberation of the Unsullied, which me and my brother TOTALLY CALLED the week before (I take credit for calling it first). Daenerys makes what appears to be a stupid trade in order to acquire an army for the taking of Westeros. What ends up happening is a badass coup wherein all of Astapor’s slave master’s are killed and the army of Unsullied soldiers is liberated. When given the option to live as they choose, they all decide to serve the Stormborn Queen, and a great bit of symbolism occurs when she drops the whip that once controlled them and they march over it, their chains shattered.

The second is the ending of the recent season finale, which I honestly think is a beautiful thing. Hope is what I wanted out of the last episode, and hope is what I got. Even though I personally think Daenerys is going to die this coming season, she still makes me think that, even now, this story might have a happy ending.

One of the other great things about the Mhysa scene is how perfectly it symbolizes everything about the show. We have a hero who, because of the potential dangers of the world, is forced to surround herself with shields and pikes. Even when the friendly slaves arrive, there’s this tension about whether they can be trusted, whether anyone can be trusted. The look on Jorah’s face is what I’m talking about. He knows that even the kindest of fellows might stab someone like Daenerys right in the back. But Daenerys isn’t willing to let that sort of thought process go on. She knows that in order the end the clash between fear and love, she must take a leap of faith. And so, when she walks into the crowd, knowing fully well she might be beaten to death right then and there, she is testing whether all men are evil, whether all men must die. And, in the end, she proves that all men aren’t evil, and that there is still good to be found in the world.

That’s why I love Game of Thrones. That’s why you love Game of Thrones. That’s why we love Game of Thrones. Because it isn’t just about betrayal and blood and horror and death and hopelessness. It’s also about righteousness, truth, heroism, love, and freedom. And it will have a happy ending, one way or another.

"Build it and they will come."

And to those still mourning the Starks, just remember…

…what is dead may never die.

~D.

Game of @$%^ing Thrones

3 Jun

Fuck them. Fuck them all.

I usually censor my stuff because some of your are offended by swearing. If you are among those of whom I speak, please leave now. Thank you.

Okay, now that we’ve got that out of the way: FUCK THE MOTHER FUCKING, COCK SUCKING, ASS LICKING, INCEST INFESTED, DOG SHIT EATING, BUTT FUCKING, MURDEROUS, MONSTROUS, CUNT FUCKED UP BITCH LANNISTERS!

Okay, okay, okay…okay…

…okay…

…okay…

………THOSE MOTHER FUCKERS! I’LL RIP THEIR FUCKIGN SKULLS OUT AND USE THEM AS DRINKING CUPS!!!!

Okay, look, you already get the picture. I don’t need to write you a dissertation, a thesis, a long, detailed study of why I’m pissed right now. After all this build-up, all this amazing happiness and joy, joy we haven’t seen since in some time, mind you, THIS HAPPENS?! ARE YOU SHITTING ME?! Arya isn’t ever going to see her mother again? The Starks lost? Another direwolf is dead? They STABBED AN UNBORN CHILD TO DEATH?! WHAT?! WHY?!?!??!/!1/!111

I’m just….I’m just angry…..and disappointed. We can talk about it more later. Just…….just let me shower…..

 

And so he spoke, and so he spoke,

That lord of Castamere,

But now the rains weep o’er his hall,

with no one there to hear.

Yes, now the rains weep o’er his hall,

And not a soul to hear.

~D.